Sunset Sound from IK Multimedia is the perfect reverb for this technique. Just make sure you High Pass it so you haven't got too much low end in there, somewhere around 300-400 Hz." It's something that you had to do back in the day when you didn't have a lot of reverbs. All of this creates the illusion they're all in the same room, but in different places in the room. And with the piano, I put about a 20 ms pre-delay on it. I put that at about 40 ms so it's sending a delayed signal to the reverb. So by the time it hits the reverb, it feels pushed back a little bit in the track. On the drums, I've got a drum mix and a second whole drum mix with a 60 ms pre-delay on it going to the reverb. But the one going to the reverb in this instance has no pre-delay on it. "I take the vocal and send one dry and one to the reverb. So they all feel like they're in the same room, but in different places. You take one reverb and use the pre-delay trick. And you're thinking to yourself, I've got to do some cool EQ and compression to make this come to life. "There's no compression, no EQ, nothing on these multi-tracks, and it sounds really dry and very dull. Here's the situation: you've got multi-track recordings, perhaps made at different times, maybe in different rooms, maybe with some programmed drums, and you want to make it feel like one band playing together. "We're going to take one stereo reverb and use it across every instrument of a whole song." "This is a technique that was used a lot in the olden days of the '70s" Warren begins in his recent Produce Like a Pro feature on YouTube. Calling it a "great, great trick," Warren Huart explains how to use reverb effectively, in this case, IK's popular plug-in Sunset Sound Studio Reverb.
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